We've always known that body language is important in
communication. Some public speaking studies suggest non-verbal communication
shapes 90% of the message. So I certainly coach performers in what I call
‘stagecraft,’ as well as in their sound production.
Surprisingly, efforts to improve stagecraft
are often met with dismay.
“Do I have to listen to them [the audience] ? – shouldn't they do that work? I have enough to do to present such gorgeous sounds!”
Must I consider
how my body language cuts off or welcomes the listener? Must I be concerned about the audience’s psychological needs? Do I need to understand how my gestures,
eye contact, reactions to my own playing, reception of applause, and leadership
(or lack of) affect an audience?
Yes, Yes, Yes!
Music is a performance art and I've already shared many
thoughts in previous postings.
So at this time I’d love to pass along a new study by
Chia-Jung Tsay, published in the Proceedings of the National Academy
And some very readable commentary on this study by Melissa Hogenboom, the Science reporter at BBC News:
Why do we continue to think that music performance and
communication functions drastically differently from other types of performance
and communication?
I’m available for coaching sessions - stagecraft included.
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